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WORKSHOPS

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Yes! Sandy Tritt is available
to lead workshops for your conference or writer's group. A dynamic
speaker, Sandy tailors each workshop to your individual group.
Her most requested workshops are listed here. Others can be created
for your specific situation. |
| Thank you for that wonderful
workshop--our teachers loved it, and it was THE most highly-rated
workshop since we began keeping records several years ago. ~
Laura Tracy Baisden, Director Coalfield Writers, a Satellite
of Marshall University Writing Project |
"The Life Cycle of a Character"
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This workshop discusses how to take a character
from conception to maturity, growing into a character who jumps
off the page and into the reader's heart. First, we conceive
a character, and this workshop discusses ways to spawn that first
seed. Next, we breathe life into the character by giving him
wants and fears. Then we take him through the tumultuous teen
years by exploring his emotions and learning more about him.
As he matures, we add more layers, exploring different aspects
of his personality and history. This workshop is for writers
of all levels, and includes discussion and samples of tools such
as character trait charts and growth charts.
| I have never been to a
workshop with more energy and more information. Sandy was so
organized and answered every question thrown at her. Sign me
up for the next workshop she leads. |
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"The Seven Deadly Sins of Writing"
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The Devil of Rejection tempts every writer
with the Seven Deadly Sins of Writing. They seem innocent enough--a
misplaced comma here, an adverb there--but soon the writer finds
himself sinking into the dreaded darkness of the Rejection Pile.
Sadly, often the writer doesn't even know he's been deceived.
So let's reveal the Seven Deadly Sins of Writing for what they
are: Death to your manuscript. This workshop, geared toward beginning
writers, examines seven common mistakes writers make: poor grammar
and spelling; telling, not showing; passive voice; purple prose;
repetitiveness; point of view breaches; and lack of persistence.
| I learned more in 90 minutes
with Sandy than I did in four semesters of college. I whole-heartedly
recommend her Seven Deadly Sins workshop to anyone who writes.
This gal knows her stuff. |
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Pass the Tissues, Please
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This workshop, geared toward the advanced
writer, discusses character emotion and how to control it. We
will dissect examples in published and unpublished works to find
out exactly how a writer can manipulate a character's emotion
to create an equal reaction in the reader. This workshop also
discusses how climatic points within a manuscript must be detailed
so no character emotion is missed--and how to ensure those emotions
are not portrayed melodramically, but in such a way they hit
the reader deep in the gut.
| Wow! I never realized
all the things that go on behind the scenes. I can't wait to
edit my memoir and apply all the things I learned in just two
hours with Sandy. I know I'm a better writer from having attended
this workshop. |
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When and Where
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This interactive setting workshop uses ad-libs
to illustrate how setting is sprinkled throughout a manuscript.
A brief lecture discusses ways to keep setting alive and integral
without overshadowing plot and characterization, followed by
writing exercises and discussion.
| I've never been to a workshop
that was better organized. I was surprised to walk in and find
an attractive folder with all kinds of supplementary material
and detailed information about everything the workshop would
cover. I was also pleased with all the "freebies"--the
pen and notepad and a laminated copy of The Writers Prayer. I
was happy before Sandy said one word. After the workshop, I talked
to the other attendees. Everyone agreed: this was by far the
most professional and the best presented workshop we had ever
attended. We've already invited Sandy back next year. |
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Drop and Give Me Fifty:
Writing Skinny and Sexy Prose
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No, this is not a romance or erotic workshop.
This is a lecture (or lecture and exercise) workshop that discusses
how to write so your reader can't stop reading--which is to put
your prose on a diet and cut all unnecessary words, all redundancy,
all adverbs, all telling, and all passivity. The result? Skinny,
sexy prose your reader can't stop reading.
| The evaluation form said
to rate this workshop on a scale of one to five, with five being
the best. I have to rate it a "ten." It simply IS the
best. |
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Whose View to Choose
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"Whose View to Choose" is an interactive
workshop that examines the craft of point of view, which is perhaps
one of the most difficult concepts for a writer to master. After
a brief lecture, this workshop uses volunteer participants to
act out a brief skit. The skit is presented in multiple points
of view with the narrator represented by an actor. Watching the
narrator interact with characters within each point of view,
attendees develop a much better understanding of how point of
view works and how it affects a story. This workshop examines
how to select which point of view to use, how to control the
omniscient point of view to avoid "head hopping," and
how to select the perfect viewpoint character for each scene.
| Sandy is one of those
gifted writers who not only KNOWS a lot about writing, but is
able TEACH. And man, can that woman teach. |
Detailed handouts are available for all workshops.
Workshops typically last 90 minutes, but can be tailored for
a shorter or longer period. Workshops can also be lecture-only,
lecture and exercise, or interactive. If a workshop is better
presented one way than another, it is mentioned in the workshop
description. All workshops apply to both fiction and memoir,
and can be tailored toward one or the other. Custom workshops
for subjects not listed above can also be created. For more information,
please email
Sandy with as much information about your workshop as possible.
Brief Bio: Sandy Tritt is a writer, editor
and speaker. The founder and CEO of Inspiration for Writers,
an editing and critiquing service for aspiring writers, she has
edited hundreds of manuscripts. She is president emeritus of
West Virginia Writers, Inc., the state's largest writing organization,
and has recently led workshops at the West Virginia Writers Conference,
the West Virginia Book Festival, the Alabama Writers Conclave,
and the Appalachian Writers Association (Bristol, Tennessee),
among many others. Sandy's short stories and novels have received
many awards and have been published in literary magazines and
local journals such as Gambit, Confluence, Allegheny Echoes,
Mountain Voices, The Northwestern, and Mountain Echoes,
in which she was the July 2004 featured writer. In addition,
she has published Everything I Know (Headline Books),
Inspiration for Writers Tips and Techniques Workbook,
and seven technical manuals (Phoenix Software, Atlanta, GA).
She has ghostwritten one award-winning screen play and two memoirs.
But more than anything, Sandy loves to teach the craft of writing.
Sandy's workshop schedule tends to fill up
quickly. For information on Sandy's next workshops or to schedule
a workshop for your group, email
her.
Questions? Comments? Email us at:
editor@InspirationForWriters.com
If no one responds to your question or comment
within 48 hours, please email again.
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