
Elements of Craft
Seven Deadly Sins of Writing

I've often said that writing is a spiritual endeavor. If this
is true, then it only makes sense that Good Prose must also have
its nemesis. And surely, the Devil of Rejection tempts every
writer with the Seven Deadly Sins of Writing. They seem innocent
enough--a misplaced comma here, an adverb there--but soon the
writer finds himself sinking into the dreaded darkness of the
Rejection Pile. Sadly, often the writer doesn't even know he's
been deceived. So let's reveal the Seven Deadly Sins of Writing
for what they are: Death to your manuscript.
I. Poor Grammar and Spelling. Surely, nothing screams
"amateur" as loudly as poor grammar and misspelled
words. If your grammar is poor, take a class at your local community
college. If your grammar is decent, invest in a good grammar
reference book and use it whenever you are uncertain. See the
Grammar Tips and Comma
Usage Tip Sheets for help on this one.
II. Telling, not Showing. We must act out our scenes,
through action and dialogue, in such a way that our reader feels
that he is experiencing the drama as it is happening. See the
Show, Don't Tell Tip Sheet for details.
III. Passive Voice. Using passive verbs, adverbs, intensifiers,
-ing verbs and unnecessary words suck the very life out of our
prose. For examples of how to make your prose as active as possible,
see the Keep it Active Tip Sheet.
IV. Purple Prose. Overusing adverbs and adjectives,
using cliches and euphemisms, and getting carried away with description
in inappropriate places is called "Purple Prose." It's
a lot of fluff with little substance. Instead of using an adverb
to make a weak verb stronger or an adjective to make a weak noun
stronger, omit the adverb/adjective and choose a stronger verb/noun.
Instead of reusing phrases that you've heard before, find fresh
ways of saying things. Instead of using euphemisms (attention:
romance and love-scene writers!) for parts of the body, use real
words. Too much fluff is just like too much dessert-it leaves
us heaving. See the Tip Sheet on Creative
Dialogue Tags for another example of this disease, and check
out the Controlling Character Emotion
Tip Sheet for help in reducing the melodrama.
V. Repetitiveness. Not trusting our words to do their
job or not trusting our reader to be smart enough to understand
our words leads us to repeating ourselves. We change our wording,
but still present the same idea in a slightly different way.
This redundancy kills our prose. Say it Once,
Say it Right!
VI. Point of View Breaches. Switching our viewpoint
character without warning, "seeing" or "hearing"
things our viewpoint character is not privy to, or switching
from one type of point of view to another disrupts the flow of
our prose and jolts our reader. Sometimes the reader isn't even
able to state what the exact problem is, just that "something
isn't right." Always be aware of whose viewpoint you are
in and why. For more help on this subject, see Point
of View and Other Devices.
VII. Lack of Persistence. Surely, giving up is the
deadliest of all the deadly sins. Writers who decide they "aren't
good enough" or "don't have time" to write will
never be published. Writers who fail to take advice and further
their understanding of the writing craft will never be published.
And writers who accept rejection as defeat will never be published.
To quote my favorite uncle, "You aren't defeated until you
give up."
So, don't let any of the Seven Deadly Sins of Writing kill
your chances of being published. Read. Write. Study. Persist.
No one ever said it would be easy, but if you have that passion
in your soul, nothing will stop you from succeeding. Go for it.
Want more great tips and techniques? Our Inspiration for Writers Tips and Techniques Workbook
is now available for immediate download. Expanded tips, more
topics, reproducible worksheets, exercises to practice what you
learn and much more--check it out!
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Why have we chosen the yellow rose as the symbol
for Inspiration for Writers? The yellow rose symbolizes joy,
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(c) copyright 2001 by Sandy Tritt. All rights reserved, except
for those listed here. These pages may be reproduced for educational
purposes (such as for writer's workshops), as long as this copyright
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